19 April, 2009
18 April, 2009
17 April, 2009
10 April, 2009
Quotes
Scientist One: Jacques Yves Cousteau
Image Reference: www.divessi.com/.../photos/Cousteau_Jacques.JPG
The sea, once it casts its spell, holds one in its net of wonder
http://www.brainyquote.com/quotes/quotes/j/jacquesyve204406.html
http://www.brainyquote.com/quotes/quotes/j/jacquesyve204406.html
Scientist Two: Alfred Nobel
Image Reference: http://nobelprize.org/alfred_nobel/french-lit/poster1.html
If I have a thousand ideas and only one turns out to be good, I am satisfied www.firstscience.com/home/poems-and-quotes/quotes/alfred-nobel-quote_2251.html
Scientist Three: Keith Campbell
Image Reference: www.cmu.edu/shs/images/KeithCampbell.gif
I just want to know who everything works http://www.mblwhoilibrary.org/services/lecture_series/campbell/about.html
01 April, 2009
Final Sketch Up Model
My final sketch up model is made up of 3 spaces
An above ground studio space for Tracey Moffat (Graceful)
A gallery on ground level
A below ground studio space for Fiona Hall (Brutal)
Link to model:
http://sketchup.google.com/3dwarehouse/details?mid=da15a3a984279beb4e1ddb7c4b3af281
An above ground studio space for Tracey Moffat (Graceful)
A gallery on ground level
A below ground studio space for Fiona Hall (Brutal)
Link to model:
http://sketchup.google.com/3dwarehouse/details?mid=da15a3a984279beb4e1ddb7c4b3af281
YouTube Video
YouTube Video
This video represents the two words that I have chosen for my two artists. Brutal and Graceful. The killer whale is so graceful in it's approach upon setting on the sea lion and its next act of eating the seal is such a brutal one.
This video represents the two words that I have chosen for my two artists. Brutal and Graceful. The killer whale is so graceful in it's approach upon setting on the sea lion and its next act of eating the seal is such a brutal one.
Final SketchUp Model 2D Images
2D graphic images of my final 3D model for the Hall / Moffat studio showing the model from different views.
Fiona Hall's studio was designed to resemble her artwork Purgatory:Canto XVI:The Wrathful. The space gives an impression of cold space, with concrete and neutral colours an tones used. In contrast, Tracey Moffat's studio above has a cheeky, provocative, carefree presence with plenty of natural light with bright colours in places to create a sense of warmth.
These 2 rooms are brought together through the connection of the gallery which has been designed to compliment the relationship of both artists. The textures and materials has been chosen to represent each artists' work. The model has taken on more of a form than an abstract approach with its functionality which has been developed through the concept sketch section.
Fiona Hall's studio was designed to resemble her artwork Purgatory:Canto XVI:The Wrathful. The space gives an impression of cold space, with concrete and neutral colours an tones used. In contrast, Tracey Moffat's studio above has a cheeky, provocative, carefree presence with plenty of natural light with bright colours in places to create a sense of warmth.
These 2 rooms are brought together through the connection of the gallery which has been designed to compliment the relationship of both artists. The textures and materials has been chosen to represent each artists' work. The model has taken on more of a form than an abstract approach with its functionality which has been developed through the concept sketch section.
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